Soundtrack Hindi Movie 2011

Soundtrack Hindi Movie 2011 Soundtrack is an edgy, modern day portrayal of India's most prolific musician and DJ. It traces his alcohol, drug and sex fuelled meteoric rise, as he battles his internal demons and a damaging handicap.
When an album is titled Soundtrack, the least you expect is - what else but - a good soundtrack. With Midival Punditz and Karsh Kale coming together for this rather loaded album (there are 12 tracks here), one looks forward to some new age sound in the offering here. Of course there are some apprehensions as well, since Soundtrack isn't a quintessential Bollywood affair, which means experimentation could go either ways. Still, with good interest and reasonable excitement, one plays on Soundtrack.

MUSIC
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Soundtrack begins with 'Symphony Of The Streets', a musical piece sans any singing involved, which starts with the sound of a train running on tracks. There are other interesting bits and pieces of seemingly live music added as well which makes it a good lounge piece.




Next to come is a song which could be one of the most straight forwarded of all when it comes to the title. Rendered with aplomb by Anushka Manchanda, it goes as 'What The F'. A club track that has good beats accompanying it and surprisingly doesn't have a 'remix version' attached to it, 'What The F' is a song with an attitude and is co-written by Dhruv Jagasia, Anushka Manchanda and Gaurav Raina.

Though Soundtrack manages to attract your attention by now, there is a downer in the form of 'Mein Chala' which has a strange choice of singer in the form of Kailash Kher. He co-composes as well as writes this song which seems like an extension of one of his philosophical/spiritual trance numbers that he has attempted in the past. Though there is a Western treatment given to the song, there isn't much in it to warrant a second listening as it gets too heavy after a point in time.

It's an all around show by Vishal Vaid as he writes, co-composes (with Karsh Kale) and sings 'Ek Manzil' (along with Khalid Alvi). This one has a non-film appeal to it and while one has to listen to the song quite carefully to understand what it is eventually trying to say, the overall arrangements too are of the kind that end up lending a sad feel to it. The same sound is later used to create another musical piece which is titled 'The Soundtrack Theme' and comes towards the end of the album.

The album also incorporates a couple of old Bollywood tracks in the form of 'Ruk Jaana Nahin' and 'Yeh Jeevan Hai'. Surprisingly, none of them manage to add much value to the album and seem to have been picked out of one of those average sounding cover version albums that was a trend during the late 90s/early 2000s. While 'Ruk Jaana Nahin' is sung again by Suraj Jagan and doesn't make you really fall in love with it, 'Yeh Jeevan Hai' by Malini Awasthy belongs to quick skip variety as it is difficult to listen to it even once in entirety.

Thankfully, there is something to look forward to in Soundtrack all over again with Ankur Tewari playing a triple role of composer/lyricist/singer for 'Jannat'. Best track of the album which belongs to soft rock mode and is the most enjoyable of all, 'Jannat' is the kind of song that one was always expecting in Soundtrack to begin with.

Unfortunately, this excitement is short lived with Papon composed and sung 'Banao' turning out to be weird more than anything else. Leave aside the fact that the overall treatment of the song is hardly appealing; one can't even fathom what it is eventually trying to say. A slow paced number, it tries to be cool and contemporary but only ends up making you look the other way. He makes an added contribution with 'Naina Laagey' which has a classical feel to it and thankfully turns out to be better than 'Banao'. Still, this co-composition with Midival Punditz doesn't quite make you go wow as you move ahead in the album.

After 'Ek Manzil', Vishal Vaid returns with 'Fakira' where Midival Punditz and Karsh Kale join him in the composition department. Belonging to the same genre as the kind of songs that were once in vogue when Feroz Khan made films like Qurbani and Jaanbaaz, 'Fakira' with added vocals by Aslam Parvez manages to cover some distance but just about. With a trance feel to it, appeal of 'Fakira' is restricted to a selected play in clubs.

Last to arrive is 'Atomizer' which has the kind of sound which is associated with Quentin Tarantino movies though with somewhat lesser verve to it. Still, it does manage to excite to some extent at the least as Gaurav Raina and Karsh Kale come together with Midival Punditz for this dance number. Karsh Kale is the common element in music, lyrics and vocals department while Tapan Raj adds on to little lyrics that one hears in this track.

OVERALL

Soundtrack doesn't quite turn out to be an album that it could have been. Now that's sad because with Midival Punditz and Karsh Kale at the helm of affairs, one expected something that was really cutting edge and also to a good extent commercial. However, what one ends up hearing in Soundtrack are barely a couple of numbers that actually end up staying with you for a while at the least.

Watch 50 50 Movie Online 2011

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Rascals Hindi Movie 2011

 Rascals Hindi Movie 2011 'Rascals' is a comedy about two cool competing conmen trying to out-scheme each other in consistently amusing and surprising setups. Bharat Shah presents rip-roaring comedy RASCALS, made under Sanjay Dutt Productions and Rupali Aum Entertainment Pvt Ltd in association with Venus Worldwide Entertainment pvt. Ltd.
Directed by David Dhawan RASCALS is produced by Sanjay Dutt, Sanjay Ahluwalia and Vinay Choksey. It stars Sanjay Dutt, Ajay Devgn, Kangana Ranuat, Lisa Haydon with special appearance of Satish Kaushik, Chunky Pandey, Hiten Paintal and guest appearance of Arjun Rampal. The music is composed by Vishal and Shekhar and lyrics penned by Irshad Kamil, Anvita Dutt Guptan.

Synopsis:

RASCALS is a comedy about the joys of conning where Sanjay Dutt and Ajay Devgn play two cool competing conmen trying to out-scheme each other in consistently amusing and surprising setups.

But when both fall for the same girl (Kangna), the competition reaches an all new level as both men constantly attempt to outwit each other to win over the surprisingly elusive Kangna!

Since much of the comedy involves people taking advantage of one another, having everything put forward in such a gossamer manner that RASCALS becomes an enjoyable journey throughout with an interesting twist at the end!
 

After KAMINEY (2009), its RASCALS... the trend of using abusive/cheeky or cuss-words as title continues with this bumpy comical ride! After the dazzling success of PARTNER (2007), director David Dhawan makes his biggest presence felt this year with this flick. Packed with bankable star-cast (Sanjay Dutt, Ajay Devgn and Kangna Ranaut), it promises truckloads of slapstick comical entertainment, as all his previous films have accomplished this feat in the last few years. On the musical front, David Dhawan's recent set of releases PARTNER (2007), SHAADI NO.1 (2005), MAINE PYAR KYUN KIYA (2005) and MUJHSE SHAADI KAROGI (2004) were potential entertainers and each provided a couple of big chartbusting hits in their respective years. Vishal-Shekhar (V-S) leads this hilariously sounding musical bandwagon with lyrical support of equally promising Anvita Dutt and Irshaad Kamil. Can they together make it big on charts? Let's find out...

Partners in crime! David Dhawan's typical mad-cap entertainer is all set for an enthralling journey as the album kick-starts off with a 'nonsensical' frolicsome title track 'Rascals'. It brings out an emblematic feel of 'Golmaal...Golmaal' (GOLMAAL-FUN UNLIMNITED -2006) in its crazy signature tuneful feel, one of the most likable contributes by Vishal-Shekhar in genre of slapstick comical flicks. In terms of chirpy lyrical settings ('Hai chalu cheet charlie, Hum hai lafantar do, Hai lucche phir bhi classy, it is a wonder no...) by Anvita Dutt and Irshad Kaamil, this title track recreates the tomfoolery gust of 'Do you wanna Partner' (PARTNER -2007), title track of director's last flick. Neeraj Sridhar's breezy vocals in lighthearted tones evoke humor, but this soundtrack is moreover a visual treat where the 'monkey-business' of two protagonists will get glorified on the big screen. It's an average score by V-S that should be doing well in catalyzing out the funny humor-quotient of the flick. 'Rascals (Dance Mix)' is a typical massy 'club dancing remix' number that can be utilized potentially in promos as well in DJ parties.

Outrageously loud slapstick comical spells enters into bhangra zone in ostentatiously conceived 'Tik Tuk'. Daler Mehndi's boisterously ballistic voice is 'full- of- energy' in rendering out this frolicsome number. Once again, V-S composing follows David Dhawan's style of music, as it pours out the mad-cap happenings of 'Bhootni Ke' (SINGH IS KINNG) into the slapstick comical humor of the situation. It's loaded with funky sounds that are primarily works of electronically tuned synth beats and heavy drumming. Monali Thakur's soft vocals in the middle interludes adds sobriety but its Daler's flamboyancy along with hip-hop emceeing that makes it an entertainer. 

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Tempo is mellowed but the funky feel reigns as Neeraj Sridhar sings out jovially again in average sounding 'Pardaah Nasheen'. The song tries to be a disco-qawalli but the arrangements are like 'stomp' musical works where repetitive rattling percussions are played loud with drum beats. V-S tries to experiment with different westernized feel but the output is relatively weak than the first two soundtracks. Sunidhi Chauhan's soft romantic voice softens the mood and adds to the dancing feasting decorum of the song. Neeraj Sridhar's enthusiasm is worthy but the composition fails to offer anything strikingly outstanding to complement his vocal buzz.

Item Number finally...! The finest and most commercially bankable feast of the album comes out loud and high in the raunchy 'item-number' titled 'Shake it Saiyaan'. Flashy, garish and eye-candy in its contents, it comes out as another mischievously haughty attribute by Sunidhi Chauhan, who screeches out her vocal chords to the maximum to deliver out a brazen vocal feel in this haughtily conceived number. It tries to be extremely upbeat and peppy in hip-hop emceeing by Haji Springer but the impact is reasonably average. Like a couple of previously sung numbers like 'Dekhta Hai Kya' (KRAZZY 4) by Sunidhi, it delivers a raw sensuality with a rustic touch that should be pompous enough to exude oomph on big screen. 'Shake it Saiyaan (hip-hop remix)' works primarily on crazy hip-hop 'turntablism' DJ antics that not only accelerates but also adds heavy dosages of emceeing in the middle interludes of the track. It fares well and should be a delightful feast from DJ' desk to the party animals.

To sum it up, RASCALS turns to be an average musical fare and rests heavily on its big-screen flashy antics. After delivering out one of the biggest musical success of this year in RA.ONE, Vishal-Shekhar disappoint with an average set of soundtracks that sounds routine and work mechanically to the situational needs of the film. Humorously punched soundtracks like 'Rascals' and 'Tik Tuk' sounds most promising while 'Shake it Saiyaan' will be raising high glam-quotient, but still the album falls short of one potential chartbuster in its offering. Slapstick comedies have always been moderate on musical quotient and its average show won't hamper the box-office prospects.